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Now repeat the above practical only this time try using what is sometimes called "short stroke" - which is precisely that. Rather than one continual line, produce lots of short lines - you decide on the length. But make sure you are still acting as though it is one continual line - you are just lifting the brush at the appropriate time. Repeat this a few times.
Next decide which you felt more at home with. Produce another image in that way only this time look for shapes. When you see one, load your brush and paint the outline of the shape - very quickly. Finally get the thick brush and load it with a colour and roughly fill in the shape. Carry on mark making - even if it runs over any painted shapes.
Finally try again with line and shapes, and this time adding something else - you decide. If you really cannot think of anything try choosing any of the following: Screwing up the whole paper, then unfolding it and carrying on painting; rip or cut holes into the paper - and carry on painting; spatter (a well used favourite) paint onto the paper; find rice, spagetti, sand, earth, dust ... anything - pour it or sprinkle it - then carry on painting ... the list is endless.
Of course you might not be at home with this ... too messy you might say. Then, perhaps you might be a Surrealist - or maybe a Visionary ... that will be the next article.
Tim Seaward is the author of "How to produce an abstract image II - From Anarchy to Abstraction". He is also a practicing fine artist living and working in the UK. Visit his site to find out exactly what he paints. http://www.ablot.com |
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